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The chests are based on a typical "hutch chest design", where the legs of the chest are actually part of the sides of the chest itself. It's a bit difficult to explain, but I'll make a try with a pic. I mentioned before that I am not a craftsman, and before you judge me, I would also like to state that I am not an artist either. Nevertheless - I am damned proud of the above pic. It is the schematics I should have had before I started to work on that chest. I never thought I could make something as accurate as that picture, and it gives me good hope that I am not that useless when it comes to arts and crafts after all! Sometimes I despair, of course, like when I look at my good friend Alex's stuff. He's like:
"Oh, I just made it last evening. It took me a couple of hours. I'm not particularly happy with it, but it does it's job." When I try to make something the like, I usually end up in a sweaty, swearing heap with a headache - after about two weeks of planning, preparations, work and mistake after mistake.
When I was at my first reenactment event, the summer of 2003 in Azincourt, France, I met a group reenacting Burgundians of the mid 15th century. When I saw their stuff I was astonished, and when I had some time alone, I cried a bit, and wanted to go home. I was so proud of the clothes I had managed to tack together, and it all went to dismay when I saw their heavenly outfits. "HOW!?" I asked myself. "How can they produce such fine stuff? I will never ever be able to sew clothes that are half as good."
But then I started thinking a bit, and came to the conclusion that these Burgundians had started out just like me - without anything to wear at all. And they had also made mistakes. Several hundreds. Maybe I can't be just as good as they, but I am steadily growing better at everything I dare to try. Even though I despair, and doubt my very craftsman-foundation from time to time, that thought is comforting, and keeps me on my feet when I feel worthless. Everyone has made countless mistakes, and very few are actually happy with what they make; my friend Johan has made more things than I can even imagine, but he still says he's been happy with only two of them. And one broke in Italy last year (the irony!)... On my own part, I am at my fourth panzar/gambeson, and as soon as I'm finished, I'll make a new one. Hopefully, the fifth will be the last, as I have now made most of the possible mistakes when stitching gambesons.
Oh well. Back to that chest. To this day, I have joined the boards of the gables and the long sides together, with strips of wood fitted in grooves in the edges of the boards.
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I worked the joint tongues with a plane to bevel them, mostly to make them fit but also to make it look good, and made with care; the bevelled bit won't be visible from the chest outside - it can only be seen when opening the
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The gables won't be worked at all. A wide groove (at least in comparison) will be made in the
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2 kommentarer:
Thanks for sharing, these are really interesting photos and I appreciate the drawings. I want to make one of these for myself someday and this information will be really helpful.
Thanks for reading, Kathy. Please note that the boards forming the walls would be a lot wider; in other words - a chest of this size might well have walls, floor and lid consisting of only one, broad board each.
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